We are at the forefront of revolutionizing film production, offering a state-of-the-art experience to filmmakers worldwide, with a particular focus on serving Denmark, Scandinavia, and Europe.
FilmGExR Virtual Production Studio is a beacon of cutting-edge virtual production technology. We offer an extensive array of services designed to empower filmmakers to push the boundaries of visual storytelling:
Cases from our RAP Sheet:
Shooting feature film today, is more than makeup and celluloid. Fabian Wullenweber here premiering a full blown Cinematic Thriller “Maja’s løfte” (Maja's Promise) shoot on a tight budget under the dogma of ‘safe distance’ end Covid.
Since the earliest days of cinematography tricks and fakes has been part of enabling the impossible. FilmGEAR Rental ApS supported the project with 180degree Pop-Up Virtual Production LED Volume, Studio facilities, lighting and grip enabling the many ‘driving sequences’ to be shot in full control.
Watch it here: BLOCKBUSTER.DK
Shoot: FilmGEAR Set-Up Studio 1 2022
FilmGExR Virtual Production Studio was called in to assist the Danish National Broadcaster DR, when producing the 7th and last episode of the true story tv-drama 'Carmen Curlers'.
The task was to make a Pan Europe Train Ride look as real as if we rewind time to the 70ties and drove through German, Austrian and Italian fields and mountains.
We supported the production with VP Supervision, Custom LED Volume in DR Studio Facilities, Playback and NCAM Tracking.
For the Danish National Broadcaster TV2, Cosmo Film produced this 24 part Christmas Advent Calender 'Valdes Jul'
FilmGExR Virtual Production Studio took part supporting the production with VP Supervision, LED Volume, DMX controlled toplight, Render Engines and NCAM Tracking
Set-build: Hans-Peter Ludvigsen
Set-design: Søren Jochumsen
For the Danish Crime Series 'OXEN' produced by SF Film for Danish National Broadcaster TV2, FilmGExR Virtual Production Studio had the pleasure supporting both the Driving Plates sequences and a VP sequence 'MALI' suposed to be produced in Spain resembling the Desert of Mali.
Set-build: Hans-Peter Ludvigsen
Led-screen as background andDMX controlled 6x6 toplight
Set-design: Søren Jochumsen
Now and then you enter a project with your eyes and ears open and still ends up amazed and surpriced.
The Rebel Pictures project 'CUT' is one of them.
Our Studio, LED Volume, Tracking, Render Engines etc. etc. all combined with the finest of the finest of Photograpers, Grips and Gaffers ending up shooting a 8 + 16 + 35 and 65mm film test to do a lot of comparison to digital cameras.
RIGHT: We reveal our LED screen with a tracked camera.
Not all client job are to be shared day one after production, therefor we have made a few technical trailer tests of our own - to see and show what we do. All made in a day or two without the big crew.
FilmGExR is based in Denmark's largest film studio complex: FilmGEAR Studios offering 10 studios in Copenhagen, where we have one dedicated studio for LED Volume and the two sided Green-Screen.
Notable features include the permanent LED Volume for immersive virtual production, a two-sided Green Screen horizon for special effects, advanced tracking systems, lighting equipment with intelligent controls, and on-site render nodes and workstations for efficient processing of your Unreal Engine projects or standard plates for set extension and driving plates.
This comprehensive setup equips filmmakers with the latest technology for high-quality film production.
A Virtual Production Studio like the one FilmGExR is based on hours and hours of play, coffee, tutorials and testing. We are proud to have a solid team of dedicated wizards with competences reacing from the commercial part of business development to the bits'n'bytes of computers and render engines, UE design, Wrangling Cartesian data with techno cranes etc.
Old dog
Tech of Tech
Wiz of Wiz
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 2020-2022 Pawe%c5%82 Kuna Permission is hereby granted%2c free of charge%2c to any person obtaining a copy of this software and associated documentation files (the 'Software')%2c to deal in the Software without restriction%2c including without limitation the rights to use%2c copy%2c modify%2c merge%2c publish%2c distribute%2c sublicense%2c and/or sell copies of the Software%2c and to permit persons to whom the Software is furnished to do so%2c subject to the following conditions: The above copyright notice and this permission notice shall be included in all copies or substantial portions of the Software. THE SOFTWARE IS PROVIDED 'AS IS'%2c WITHOUT WARRANTY OF ANY KIND%2c EXPRESS OR IMPLIED%2c INCLUDING BUT NOT LIMITED TO THE WARRANTIES OF MERCHANTABILITY%2c FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT. IN NO EVENT SHALL THE AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM%2c DAMAGES OR OTHER LIABILITY%2c WHETHER IN AN ACTION OF CONTRACT%2c TORT OR OTHERWISE%2c ARISING FROM%2c OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN THE SOFTWARE. %3c/schema:copyrightNotice%3e%3c/rdf:Description%3e%3c/rdf:RDF%3e%3c/metadata%3e%3cpath stroke='none' d='M0 0h24v24H0z' fill='none'/%3e%3crect x='3' y='7' width='18' height='13' rx='2'/%3e%3cpolyline points='16 3 12 7 8 3'/%3e%3c/svg%3e)
What they tell is what you also can get
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Should have gone to Seoul to do the last important scene.
Not possible due to Covid, what to do? FilmGExR set up in a few days a LED Volume to host the car and actor, setting the right NEON feeling.
No need to fly round the world.
The idea of shooting a tv-series in Greenland was challingeing , It was solved with a clever use of one mobile screen covering two sets and nicely also worked as reflex screen shooting both car- and boatscenes all in the same studio
Building a full desert environment, adding Land Rover and a four man SWAT team, was completed with a UNREAL 3d Tracked Desert view. We got home with the needed production value, without travelling round the world
